Some examples are the koto used by Utaemon Nakamura V, the shamisen used by Wakatayu Wakamatsu I, and Peking opera instrument donated by the Peking opera group which was led by Mei Lanfand and visited Japan in 1956. The Tsubouchi Memorial Theatre Museum collection also features many instruments related to theater performers. In terms of classification by shape, the display features mainly zithers (instruments with strings stretched over the sound box) and lutes (instrument in which a rod is attached to the sound box and strings are stretched along the length of both). By learning about string instruments which are common throughout Asia, I hope the museum visitors will develop an interest in the diversity and similarities which interact in Asian culture. To accomplish this, the exhibition uses correlation diagrams which were created based on cultural interaction among these regions. This exhibition provides a comprehensive view of relations among traditional Asian string instruments. In this way, traditional Asian string instruments possess diverse origins and established theories have yet to be formed in many cases. Discussions of origins for each instrument involve hypotheses of a unique beginning in a specific region, hypotheses of introduction from surrounding regions, and hypotheses of fusion between foreign and native instruments. When tracing the origin of these instruments, one encounters regional interaction that spans centuries. On the other hand, many traditional string instruments in Asia have a similar shape. In any case, all of this string instruments have fostered a unique culture in their respective regions. The guqin (ancient Chinese string instrument) is an example of an instrument which has been refined while depending on the spirituality of literary scholars. Others, like the shamisen (three-stringed instrument) and erhu (two-stringed instrument), helped cultivate artistic styles among the general public. Like the gakuso (ancient type of koto with 13 strings) and wakon (six-stringed Japanese zither), some instruments were established as part of Shinto rituals or national systems. A wide variety of string instruments are played throughout Asia.
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